Antique Arts & Crafts Fixture VintageLights.com

Antique Arts & Crafts Fixture VintageLights.com
Originally uploaded by VintageLights.com

Hammered Antique Arts & Crafts Lighting Fixture

Antique original flush mount ceiling lighting fixture in the Arts & Crafts style with period etched and irridized shades. Hand and cast hammered in copper and brass over cast iron, so well made even the chain links are fused. Retains its original vintage patina and finish which has only been lightly waxed. We have 2 of these matching antique lighting fixtures available. Solid, heavy, classic Arts & Crafts style. These vintage fixtures will be the anchor in any Craftsman to Bungalow home.
Only one set of 4 of the vintage shades shown. Please contact us for options of 8 matching antique shades.

antique bath lighting fixture vintagelights.com (4)

antique bath lighting fixture vintagelights.com (4)
Originally uploaded by VintageLights.com

Antique Porch Light vintagelights.com (4)

Antique Porch Light vintagelights.com (4)
Originally uploaded by VintageLights.com

Vintage interior decor and lighting

When you are looking for vintage interior decor ideas check out the Old Catalogue section of VintageLights.com. We have a few great catalogs showing original furnishings and paint colors from about 1910 through 1920.

Antique Lighting Fixtures on parade

Well, not an actual parade, but a great weekend coming up Oct. 16 & 17 in Pasadena, Ca for anyone interested in the Craftsman or Arts & Crafts style. It is the annual Craftsman Weekend, sponsored by the Pasadena Historical Society. We have been invited back again to be a vendor at their juried showcase of antique and craftsman dealers. This year it is in a new location: the Pasadena Convention Center. Due to the new location restrictions we only have one day to set up and light our booth full of wonderful antique lighting fixtures. So to make this happen in only one day instead of two, we are already focused on building out the booth, adding new features, testing all the vintage lighting, and touching up the final presentation (and at-show specials).

The show prep is an almost full time job between now and then, but we also have customers new and returning who deserve our undivided attention. So if you notice a longer time between blog entries, or new inventory not showing up as steadily as before, this is the reason.

It may not be a parade but since this is the only show we will be doing this year, it is our time to shine our antique lights and we will be doing it up right.

Come visit us. You will be glad you did.

Listen To Your Eyes. PB

Identification Marks on Antique Lighting Fixtures

Customers are always asking about marks on their vintage lighting fixtures and if we can identify the fixture maker by those marks. We wish it were that easy. Although some makers of antique light fixtures did sign their pieces (actually a signature is a marking incorporated into the casting of a part, not an actual signature) with their company name, like Moe Bridges Milwaukee, Beardslee, or Lincoln, or initials, M.E.P. for Markel Elecrical Products, many did not for one reason or another. A few have patent numbers which can be traced and some just have Pat. Pending. However, most pieces of antique lighting we see today do have some marking on them, mostly just a few numbers or letters. What were these marks for???
It turns out these marks are "casting marks." An antique lighting fixture may have 4 to 8 different pieces which must be identified and put together in a particular order to create the fixture. Each fixture part had its own casting mark so some antique fixtures may have 4 or 5 different marks on them. The casting ID marks are yesterday's parts number. They were usually just for the manufacturer's internal use and were not published or recorded.
Unless there are other identifying marks on the antique lighting fixture it is very difficult to identify the fixture's maker just by the casting marks. We will be describing some of the other ways to identify a maker in blogs to come.

Listen To Your Eyes. PB

Another Challenge of Antique Lighting Fixtures

Of the many challenges of working with vintage lighting fixtures, including finding antique lighting fixtures in the first place, is refinishing them to match the colors, depth, sheen, and the finishing process of the original finish. This is one of the most frustrating parts of restoring vintage fixtures as trial after trial often results in error. There is more than one fixture in the warehouse which has been set aside until an appropriate finish can be duplicate (I won't say it, but some of our antique fixtures have been waiting years for a vintage finish to be duplicated). Now, it is always difficult to tell just what the original antique finish looked like as the effects of smoke, smog, oxidation, waxing, and cleaning almost always alter the antique finish somewhat. Images in old catalogs are not much use either as the photographic and printing processes back then did not accurately reproduce colors. But there are clues which do show what the fixture would have looked like in 1924. The most accurate clue is found where two pieces have come together to cover a small portion of the fixture. As in the case above, another clue was found in the cavity under the socket bowl where any airborne particles landed on the top surface and where it was difficult to reach with wax or cleaner. And a closer look under magnification also revealed marks left from the original vintage finish application.

Taking these clues into account, along with the information we learn from hundreds and hundreds of trial & error experiments allows us to reproduce the above finish, which is an exact match of the original antique finish.

Although it is very frustrating when the failures at duplicating finishes reaches a dead end, when we can combine our experiences to faithfully and accurately produce a finish which mirrors the original, we are proud.

Listen to Your Eyes. PB

Antique Lighting Fixture tip # 6

I had just finished rewiring a nice little 2 bulb vintage bathroom fixture, turned it on and ... nothing. Odd, I thought that both bulbs would be bad, so I changed the bulbs to ones I knew were good. Turned it on and... nothing. OK, out with the continuity tester. Both sockets and switch tested in good working order. Sometimes switches have intermittent problems so I changed the switch, replaced the light bulbs which were good, turned it on and ... nothing.

That's when that little vintage light bulb went off in my head.

I remembered talking to an old timer about restoring antique lighting when he mentioned he had just fixed a fixture brought to him that was not working. The problem was so simple I had forgotten about it until now.

People have a tendency to screw the light bulb down TOO TIGHT. The metal contact point which the light bulb hits at the bottom of the socket is a thin piece of bendable copper. Repeatedly screwing the bulb down as tight as you can bends this contact point down. Then when you replace a light bulb with one which may not be as pointed at the bottom as the burned out one you are replacing, the bottom of the new light bulb doesn't hit the contact point on the socket. So you think it may be a bad light bulb and you try another light bulb which does work, after screwing it down really tight. So you throw away the new light bulb which did not work when in fact the light bulb was perfectly good.

So, when putting light bulbs in vintage lighting fixtures (or any fixtures for that matter) screw them in to where they just light up, and then no more than a quarter turn.

This will prevent the bottom contact from being deformed to where it will no longer make contact with the bottom of the light bulb.

The images show a cut-away view of inside an antique socket with two different light bulbs having very different bottom profiles.





Listen to Your Eyes. PB

How to tell if an antique shade is really old?

A customer recently asked me a question I remember asking a mentor many years ago: "How can you tell if a shade for an antique fixture is really old or a reproduction?" My mentor's first response was, "You can just tell."  Frustrated by his answer, I asked him to elaborate on the signs which indicate a shade is vintage and old. I thought I would share what was shared with me back then. The following is more a guideline than a rule for vintage and antique shades.

First, look at the top opening of the shade. Vintage shades were hand blown into a mold and resulted with the top edge of the shade nicely rolled and smooth. Reproduction shades have a flat ground top which is much faster and easier to finish. This is about 95 % accurate. Some vintage shades are very thin and this indicator is not there.

Second, look just below the top rolled edge of the opening. Antique shades will have a thin ring which is rough, where the hand blown glass was broken out of the mold. If these first two are on shade it is a good bet it is antique and vintage.

Third, there will be small seams in the glass where the mold is clamped together. Vintage shades will have 2 to 4 "mold marks" where reproduction shades will usually have only 2.

Fourth, vintage and antique shade often have slight imperfections such as air bubbles, insignificant discoloration, minor unevenness in the finish and thickness of the glass, and trivial deformities. For collectors these imperfections are looked for as they indicate the human touch imparted to the vintage shade.

In addition, vintage shades have a look and feel which reproduction shades just do not have. This is what my mentor was referring to when he said "You can just tell." And after handling thousands of shades over the years, both vintage and reproduction, I too can "just tell."

My customer was spared the frustration of "You can just tell" and was was given the rest of this short lesson on how to tell if an antique shade is really old.

Listen to Your Eyes. PB

New vintage lights inventory posted to flickr, twitter, and facebook

Starting this month all new inventory being put up on our website will also be placed on facebook, flickr, and twitter. Please bookmark, add as favorite, or join your favorite way to stay in touch and be one of the first to view the new inventory. Yesterday we just had one disappointed customer because the fixture she was interested in was sold yesterday morning. Hate it when that happens!

Flickr: http://www.flickr.com/photos/50643466@N05/

Facebook: http://www.facebook.com/#!/pages/vintagelightscom/110983695607214

Twitter: http://twitter.com/lightsvintage

Listen to Your Eyes. PB

Gamble House gamble, Greene & Greene go round

Yesterday we took a tour of the Greene & Greene Gamble house in Pasadena. Agreed, one of the most impressive structures I have seen. Unbelievable attention to detail thoughout, from the almost unnoticable silver inlays to the way the carvings on the freize in the living room are all carved so the grain of the wood produces the design (here, in the darkest corner of the house, the carving is of the moon with a couple bats flying around). At over 4000 sq. ft., the house took a mere 10 months to build.
I now understand the inspiration, beauty, and wonder this home instills in one's soul, how this structure is one that the common man can relate to, feel connected to.
But what I am still trying to get my head around is why there are so many Greene & Greene knock offs, Gamble House imitators? I keep wondering "Why don't these people or businesses create their own legacy instead of copying someone else, even if it is the Greene brothers?" What inspired Greene & Greene and where is that same inspiration today? And yes, I recognize they certainly are a source of inspiration.

Why do we not have this caliber of craftsman today? Or do we, but as in the Greene's case it takes the test of time for the genius to show?

So, at least for Linda & I, the Gamble House passes a true test of art: it moved us from inspiration into thought, thought into questions, and questions into discussion. The best result any of us can hope for.

Listen to Your Eyes. PB

Original Finish vs. Patina on Vintage lighting fixtures

We were recently asked to clarify one of our descriptions which read in part: "original finish and patina." The customer asked if "finish" and "patina" were not the same thing. Great question, because the answer is, they can be. And it can be a little confusing.
Certain metals used in the structure of the vintage light fixture, such as bronze, brass, copper, or aluminum, are exposed to chemicals which darken the surface of the metal. The result of this process is called the patina. Different chemicals create different colors on the metal. Sometimes in the finishing of the fixture, the patina is removed on parts of the fixture to create contrast and highlights, as in the image above. Patina could also be used to describe the look on the surface of an antique lighting fixture created by time, exposure to smoke (cigarette, coal, wood), natural darking of the protective finish of wax or shellac, oil build up, residue from cleaning products, etc. A vintage fixture which had been patinated (patina) and its original color from the patina process is still intact is called its patina. If this same fixture still retains its original protective coating of say, shellac, this could be called as its original finish.

The above vintage fixture is solid bronze, which was darkened by the patina process, then the patina was selectively removed to create the wonderful contrast of light and dark. The protective finish, most likely shellac, has mellowed to impart a warm undertone to the entire fixture. This antique lighting fixture retains its original finish and patina.

If the vintage fixture was originally painted (no patina) this would be called its original finish, instead of calling this finish its patina.
Now if this painted fixture still has all the accumulated dust, oils, and discolorations from time, this could be called its patina, although it is usually just called its original finish (unlike furniture where this undisturbed condition is called its patina).

Vintage light fixtures with a higher value are affected more by the condition of their original finish and patina than vintage light fixtures of lesser value. Quite often the condition of mid-range vintage fixtures is so deteriorated that the only way these vintage fixtures can be realistically used again is if they are completely refinished. In these cases this increases the value of vintage fixture.

We always prefer to retain original finish and patina when possible.

Listen to Your Eyes. PB

Vintage Lighting Crossover Design

These c.1935 vintage wall sconce lighting fixtures, made by Lightolier, New York. show a strong leaning towards mid-century design yet they retain some of the art deco influence they evolved from.  As styles evolved and new design classes were born (or older ones revisited), you often see this type of cross-over in design. A few come to mind: from Victorian to Art Nouveau, from Art Nouveau to Arts & Crafts, from Arts & Crafts to Art Deco, from Art Deco to Mid-Century.  Most often, styles did not just pop onto the design scene and from that date onward only that style was in vogue. No, there was a transition period where design elements from one style were incorporated into design elements of the new blossoming style. And as it is today, there was resistance to the new style, there were champions of the new style, and finally there was general acceptance of the new style as manufacturers sought to fill the new demand as quickly and inexpensively as possible. That meant incorporating some of the old tried and true design elements into the new style.
This is one reason vintage lighting fixtures classified as "Art Deco" go so seamlessly into Bungalows and "Craftsman" style homes.
Be aware of the different styles in antique lighting, just don't be too hungup on trying to classify them into a box as sometimes that results in just that: a box, with not too much light or life.

Listen to Your Eyes. PB

Antique vintage chrome 2 bulb bath kithcen light fixture (1)

Antique vintage chrome 2 bulb bath kithcen light fixture (1)
Originally uploaded by VintageLights.com

Dating to the 1930s, this is a prime example of the craftsmanship and design expertise of that era. Not many antique lighting fixtures retain there luster, as this vintage light fixture does, after so many years. Especially for a bathroom or kitchen light fixture. Note the close up image of the back where all the small details on the display board are reflected on the fixture. It is difficult to tell where the light fixture ends and the display board begins it is so reflective. A light coat of wax will keep the chrome shining for another century.
The "clam broth" (color of the glass) shade has only small chip on its back side, never seen as it is under the retaining bracket. Chip is shown in a close up.
This vintage lighting fixture holds 2 light bulbs, handling up to 75 watts each.
This antique bath light fixture is 12 5/8 inches wide and projects 5 7/8 inches

http://www.vintagelights.com/product/vintage-bathroom-wall-sconce-lighting-fixture-original-chrome-mirror-finish-2-bulb.html


Listen to Your Eyes.

Larger in light

A request we receive with some regularity is for vintage light fixtures in a larger size, for an oversized home entryway, or apartment building lobby, or for the restoration of an old wonderful brick building being brought back to life.

These larger antique lighting fixtures, typically used in commercial buildings, are pretty scarce out there in the salvage & reuse industry.  Vintage commercial light fixtures in general are found less frequently than their smaller residential cousins.  There are several reasons for this.  First, there were simply not as many commercial light fixtures made as residential light fixtures, or another way to say this is that there were not as many commercial buildings as homes built back then.  Then, over the years, as the commercial building interiors were remodeled, there was less (read almost none) interest in salvaging anything.  Time, budget, deadlines, profit, codes, etc. all worked against taking the time to salvage these beauties.  Plus, the sheer size of these old light fixtures make it more difficult to handle, transport, and store them.  In our buying travels we occasionally have to pass on some wonderful old vintage fixtures simply due to their size.  But when we can, we love to bring them back to the shop and bring them back to life.  Like the time I drove 13 horsehair and plaster slag glass fixtures back from Baltimore to Seattle.  They were out of an old movie theater and the largest, at 24" in diameter, was my front seat companion for the next 5 days.

Indeed these large vintage fixtures are scarce, but when you can find one, it makes the entire area come alive. 

The one pictured above, at 28" across, would beautifully light up any dining room in any home.

Listen to Your Eyes.

http://www.vintagelights.com/

Questions are keys to open doors.

We are a big fan of questions. With over 1,000 fixtures in our warehouse waiting patiently to be restored, we can often match a particular style or look a client has in mind even though it is not seen on our website (VintageLights.com).

This week a new customer called to say she was quite unaware of the huge selection offered by original vintage lighting. This was her first time purchasing authentic antique lighting (instead of replicas). She explained what she was looking for to light 2 bathrooms, kitchen and entry, and hoped to find vintage original fixtures to fulfil her vision. We sent her some images and she did find 2 pairs of sconces with complimentary ceiling fixtures for both bathrooms. Some of the vintage fixtures she picked out were not seen on the website (we are still working on posting the kitchen and entryway fixtures). The above image of 3 vintage light fixtures were some of the images sent to her to choose from. None of the above are seen on our website

So if you have an idea of what you would like in the way of original vintage lighting fixtures and you do not see what you are after on the website, please ask. We love to tell.

Listen to Your Eyes. PB

Why vintage lighting anyway???

Sometimes, someone not familiar with vintage lighting stumbles onto our website, becomes enthralled with what they see, and begins asking us some questions. Without coming right out and asking it, they are curious: Why vintage lighting anyway?

Here we go:
Vintage lighting provides a level of design and beauty almost never seen in contemporary mass produced fixtures, even though in their day these vintage lighting fixtures were mass produced. However during this time (1900 - 1920) designers were often schooled in Europe studying design theory for several years. Style, beauty, proportion, and functionality were all just as important as profitability back then because ALL manufacturers of that time were competing on all these levels, not just what can be produced most cheaply as seen today.

Vintage lighting offers more variety and more uniqueness than most of today's fixtures, as evidenced by over 10,000 images of antique lights seen in the old catalogs on our website.

Vintage lighting has a nostalgia which cannot be easily duplicated. And as a collectible, the value of vintage lighting continues to increase as the supply slowly decreases and the demand continues to climb.

The above fixture, made of solid Bronze, will be avaible soon on our website, www.VintageLights.com

Arts & Crafts Marrage with Antique Lighting

One of our guiding mottos here at VintageLights.com is this quote from William Morris, which we try to get back to at least once a month here in the blog:

"Have nothing in your home you know not to be useful and believe to be beautiful."
Simple and elegant.

The above image of this vintage light fixture brought this thought back to me this morning. Just looking at this antique light fixture by itself, a former church fixture and a somewhat Tudor style pattern on the shade, some imagination would be necessary to see it in an Arts & Crafts setting. And here it is, very comfortable visually frolicking with the 1896 inspired Arts & Crafts print. Even the crown fitter atop the antique fixture does not seem out of place here, with its pattern reversed along the bottom of the shade, it adds some tranquility to the scene. The muted colors of the vintage shade, orange and blue set in a tan colored lattice, is almost as pleasing as a rose covered trellis out in the garden. The custard colored shade would bathe the entire room with a very pleasing warm light, especially delightful on some stained wood furniture or woodwork as the tan pattern resembles an open beam structure.

Useful and beautiful.

We have another way of keeping his message in our forefront:

Listen to Your eyes. PB

Vintage Lighting 101 - Shades

Last week I was listening to a webinar trying to understand some of the basics of social media. The moderators were very knowledgeable about the subject, bypassing some of the very basics one needs to understand, use, and appreciate social media, and going straight to the topic of discussion. They had erroneously assumed everyone had the same basic understanding of social media.
Mea culpa, mea culpa.
In an email conversation just 3 days ago I suddenly realized I had made the same mistake, assuming that the customer had that same basic understanding of vintage lighting shades. I now also realize that there was no reason to assume the customer had that information and remembered there was a time not so long ago that I too was in need of some education, (Thanks again, Billy).
The conversation was about the size of the "fitter" end of the shade. They were measuring the inside of the opening and I was measuring the outside of the opening. The fitter end of a shade is where the shade fits into, well, a fitter.
The above image shows where to measure the fitter end of a shade. The most common sizes of the fitter end of shades are; 2 1/4", 3 1/4", 4", and 6". The usual way a shade of this type is described is simply "it has a 2 1/4" fitter".

There are other sizes, but these account for over 95% of shades of this type.

So if there is anything unclear in any of my blogs, flickr or facebook descriptions please bring it to my attention, I appreciate it.

Listen to Your Eyes

Historical Reasearch Library at VintageLights.com

I was reading another vintage style home magazine the other day while waiting at the grocery store and I came across an article which suggested ways to research your vintage home. The article suggested 4 books from Amazon to start with. People, we have 2 of the 4 available to view for free in our "Old Catalogue" section of our website. We have the scanned original catalogs, not the reproductions Amazon is selling. In addition to the old home catalogues, there are Interior Design Catalogues, Lawn and Garden Catalogues, and a Paint Color Catalogue by Sherwin Williams, just to name a few of the gems you will find. We continually search for additonal vintage catalogues to add to the collection. Some of the upcoming catalogues include a 1914 Construction Details magazine and a 1900 hardware catalogue from Paris.

Our main focus is vintage and antique lighting but our interest and passion includes all aspects of the home building trade of the early 1900s.

Listen to Your Eyes. PB

www.VintageLights.com

Good news for Vintage Lighting

Yesterday one of our regulars dropped by as he was making his sales rounds across the Southwest.  Although his territory includes a couple of the hardest hit areas of the country, Las Vegas and Phoenix, as well as one of the weakest industries, add-ons to new truck sales, he reported signs of a slowly improving economy.  The seasonal uptick in sales is returning, he reports.  Good news.
As summer get into full swing, the sunshine brings a subtle yet noticeable optimism and overall feeling of well being.  There is no substitute to being outdoors and in the sunshine.  And studies have shown the full spectrum light from the sun is responsible for this effect.  Recent advances in lighting technology have produced full spectrum fluorescent bulbs, which are now widely available.  Now you can get the positive effects of full spectrum lighting along with an energy efficient light bulb in your vintage and antique lighting.  Good news.
Oh yeah, he did pick up another vintage sconce as his remodeling of his Spanish Revival home continues.  Good news.

Listen to Your Eyes.  PB

http://www.vintagelights.com/

Spanish Revival style vintage lighting

One of the most popular design styles of vintage lighting we see at VintageLights.com continues to be Spanish Revival style and its cousins, Mediterranean, Spanish Colonial, Storybook, and Mission, just to name a few.  The style was made popular by the 1915 Panama-California Exposition in San Diego.  This style was most popular in the United States from 1915 through the 30s and had been a comfortable living design for decades in Latin America and the Iberian Peninsula. 

In vintage lighting, hand wrought iron or cast metal designed to look like wrought iron are hallmarks of this style, as are the flowing intricate filigree of shade covers and backplates.  Heavy looking, in either iron or aluminum, hanging on a chain or wall mounted, these fixtures can have a masculine, solid presence.  Animal figures and / or heads also adorn these fixtures, with dragons a popular motif.

They are also a welcomed sight in many bungalows, especially bungalows with plaster or stucco exterior walls.

The storybook style is the most fanciful and whimsical of them all.  Charming to no end.   

That's the end.

Listen to Your Eyes.  PB

VintageLights.com

Listen to your Mother

Yesterday we received this question via twitter from a member at VandM.com. They referenced a NY Times article of 6/7

Are vintage light bulbs on the way out? I'm a fan but I seem to see them everywhere. http//www.nytimes.com/2010/06/08/nyregion/08bulb.html
Yesterday at 12:52pm via twitterfeed.

We answered: We have certainly noticed a drop in popularity of these exposed, energy guzzling, filament bulbs. They seem to be going the way of the Hummer. With the introduction of full-spectrum CFLs, most of the complaints about color distortion from fluorescent bulbs have faded.
What has increased in popularity are the vintage light fixtures with "slip shades". With these antique light fixtures since the bulb is covered, one can use CFLs and still get that nostalgic sense (that only authentic vintage fixtures provide) along with energy savings.

Listen to Your Eyes (and your mother, Earth)

http://VintageLights.com

The Bomb of Vintage Lighting

Wow, I can't top that last post. Thanks Linda!

One of my favorite things to harp on (its ok, I've had my coffee) is someone, usually designers or editors saying with an air of authority, that this type or that type of antique light fixture is the only one which looks appropriate in a certain style of home and all other vintage light fixtures will look out of place. I would not have a problem with them if they said these are guidelines, but they are usually stated as rules.

One of my main reasons to disagree with this type of generalization is first and foremost it is just an opinion. Everybody is unique with a different sense of style and nostalgia. And this is what is important surrounding decisions concerning ones home environment. Yes I know this is an opinion as well and I make the effort to let that be known.

Yet another reason I disagree with them is that back in the day of vintage lighting styles did not change overnight. It took years for the transition of Art Nouveau to Arts & Crafts to Art Deco to occur. And there was certainly an overlap of styles when the styles were changing. This is evident in the vintage lighting catalogs we have one our website for everyone to see, free. Heck there was even a time when gas and electric was combined in the same antique light fixture. And I am sure there were designers back then saying these fire hazards were the explosive new style.



Listen to Your Eyes. PB



http://vintagelights.com/

Us

I'm so pleased to be a guest blogger here at VintageLights.com blog!

Patrick is the creative expert behind this business, and since I can't add anything about the beautiful vintage fixtures he restores and sells, I'll talk about the man himself.

A typical day: Patrick is at the computer by 5:30 AM, checking emails and updating the web site, blog, and facebook accounts. At 6:45 we go to Yoga class, and then it's back home to change, maybe do some gardening (the poppies and cannas are amazing this year!) or work on accounting, and then he heads off to the shop...

From mid-morning 'til 6:30 PM it's a mix of packing and shipping orders out, emailing and taking phone calls from customers and other dealers, and of course, working on fixtures: sandblasting, painting, rewiring, and putting all the parts together. He may stop by Keystone Antiques on Cortez St., where approximately 100 of his ceiling and wall fixtures are displayed, to meet with a customer, answer questions, or chat with interested visitors, or he may schedule an appointment with a customer at the shop. Folks who stop by the shop are always stunned by the sheer number of fixtures, in various stages of readiness, on shelves or hanging from the rafters!

Patrick doesn't consider any of this work - it's absolutely what he loves doing and wants to be doing.

We regularly schedule road trips, too, to check out antique shops, to visit other dealers across the country, and sometimes just to hang out at the beach! Last summer we combined a trip to Block Island (Rhode Island) with a stop at the famous Brimfield Antique & Flea Market Show in Brimfield, MA - what an incredible experience, and yes, Patrick did find some treasures to ship home. This fall we'll again be at the Pasadena annual Craftsman Weekend, October 15 - 17 - stop by to say hello!

What else? Besides growing the business, Patrick's priority is growing our lives together, and making sure we have time together to share the pleasures and problems of our day. And, yes, even with his seemingly full schedule, we have a wonderful home life, too - we hike Thumb Butte, shop the Farmers' Market, have friends over for a barbeque dinner, hang out on the Courthouse Square in the evening, go dancing, and sip martinis on the deck... I have the best life, with the most wonderful man!

Vintage kitchen lighting

The previous blog (vintage bathroom tiles) prompted these thoughts on vintage kitchen light fixtures from one who had been there. The above image is a kitchen in a 1908 Craftsman we remodeled in 2006. It was a rectangle shaped room, boxed in on one side by the outside wall and on the other by the stairway. It was part of a complete first floor remodel, from the studs out. What you cannot see in the image is the left wall, a full bank of cabinets above the counter.

The main concern was how to get enough light to all the work areas without using can lights or under counter lights. Both, I believe, are completely out of place in any vintage home kitchen. There are so many other solutions using vintage lighting to get enough light where it is needed.

The shape of this room and playing with different options dictated the use of the 5 vintage lights shown. Three in the main area, one in the pantry at the rear and one over the sink. We chose the vintage milk glass shades for their unique shape and for the look of the light they emit. The light from the 3 main flush mount fixtures is diffuse enough so there are virtually no shadows in the work areas, except in the sink. Dropping a shade over the sink resolved this problem. Another benefit of using these vintage fixtures was the matching smaller vintage shade we used over the sink. Several styles of vintage shades had this smaller shade just for this purpose. All in all a very comfortable vintage kitchen to work in and one which retains the vintage feel about it.

The curved kitchen entry matched the curve of the doors on the other side of the living room. You can just barely see the kitchen opening in the far right of the image below.

Listen to Your Eyes. PB



http://VintageLights.com

Color of Vintage Bathroom Tiles

The intention of all my blogs and articles is twofold. First and foremost is to give the reader “permission” to think, choose, and be comfortable with their own decisions concerning purchase, placement, and installation of vintage lighting (or any other item) in their home. Secondly is to give the reader useful information.

Somehow an “only this way is correct” authoritative mentality seems to be the norm, freezing people from making their own decisions for fear of doing it wrong. We should be giving credence to our own unique preferences and each of us should be guided by our intuition and sense of style. The whole arts & crafts movement was based on individuals wanting choice from the mass-produced “this is what you need (want)” commercialism. We need to give this permission back to the individual. Art Deco can be beautifully combined with Arts & Crafts or Spanish Revival or Victorian. This is exactly what one would have seen in the common home of the early 20th Century. Sure, using a specific term to describe a specific item gives one the air of authority, but as the bumper sticker says: Question Authority. And not just the kind with a badge.

It is nice to learn what style our home is, but not to then be tied to whatever design is designated to that style. This was brought home in a recent blog I read where someone asked what color of white tile would be most appropriate in the 1" hex tile for a period bathroom. (Not what color of tile, but what color of white tile). This seemingly had stopped the homeowner from moving forward. I answered whatever shade of white you like, AND trust your decision. I recently completed a “period” bath using new 1" white hex floor tile. In the bath I also installed a vintage claw-foot tub, 2 vintage white pedestal sinks (from different manufacturers, 16 inches apart), 3 vintage white porcelain wall sconces and 2 antique white porcelain ceiling fixtures with milk glass shades. All of the colors of white were original, appropriate AND none of them exactly matched. The bathroom is fabulous.

Point being, there were a lot of choices back then, as now, and any of them would be a correct choice.

Listen to Your Eyes. PB

http://VintageLights.com

If You Have To Ask...

Another question we get on occasion and one we recently received was if the multi-colors on a vintage fixture was original. Many vintage light fixtures had multi- colored highlights, often referred to as polychrome or polychromatic, from the Greek words meaning multi color. Monochrome is used to describe a fixture of a single color.

Some vintage fixtures have retained their polychrome finish very nicely, muted shades of reds, greens, and blues. This coloration was never meant to be the focus on the fixture, but rather the "accessory" to it. These colors were almost always pastel, and usually applied by air brush; the colors faded nicely into the background. Thinking of Linda's earrings here.

What we are seeing out there today are people trying to repaint the colors or simply repainting the entire fixture in colors, totally absent of any consideration of what the original fixture looked like. In the catalogue section of our website there are numerous fixtures with a polychrome finish, all in muted shades of color, all appropriate for the fixture and time. None of the examples have brightly painted reds, greens or blues, much less the bright purples, hot pink, or vibrant yellows some are using to re-paint vintage fixtures.

So yes, multi-colors were original to certain vintage fixtures, as in the images above, and they will look right when you see them. If you have to ask, then you know the answer.

Listen to Your Eyes. PB

http://VintageLights.com

Baked Light

The newest addition to our website is a pair of 1920s solid bronze wall sconces. What is rather unusual about these is their original shades are made of Bakelite.

http://vintagelights.com/product/1/solid-bronze-pair-of-vintage-wall-sconces-with-original-bakelite-shades.html

Bakelite was a forerunner to plastic and was developed near the turn of the last century. Dr. Baekland established the General Bakelite Company in 1910, to supply the rapidly growing demand for a plastic type product.

We occasionally see bakelite used in various parts of vintage lighting fixtures and even less frequently we see bakelite shades. Bakelite has a beautiful glow and was manufactured in some great colors, like tortoise shell, wood grain, and bright solid colors which makes it a very collectible item in today's vintage marketplace. One drawback of the bakelite shades was their tendency to turn black where the heat of the light bulb was most intense. With every increase in light bulb wattage this problem increased. You can see the blackened centers of the shades in the above image. The dark discoloration is much more noticeable when the light bulb is off.

Vintage bakelite is very collectible and an easy, non-destructive test to determine if an object is true bakelite or just plastic made to look like bakelite is to wet a q-tip with 409 cleaner and gently rub in a discreet place on the piece. True bakelite will discolor the q-tip in a yellow to brown color. Plastic will not discolor the q-tip.

Listen to Your Eyes. PB

http://VintageLights.com

It Takes a Keen Eye...

The above image illustrates what a typical fixture looks like before and after we get our hands on it. Before we purchase any fixture, such as the one on the left, we have to know a few things about it.
First and foremost, is it appealing to me and would others find it appealing, what should it look like when refinished, what would it take to get it into condition to sell, what would the projected selling price be, can the wiring be replaced and if so, what it would take to restore the wiring to a safe working condition, what pieces, if any, are missing, who would the target purchaser be, does anything about it look out of place, are its proportion and scale correct? Then a quick check for damage and anything that is hidden or concealed. And the final question, is this something we can make a profit on or in lieu of profit, is there any other compelling reason to purchase it? Typical market research, but it must be done almost instantly, with authority, and with an absolute belief that I will make the right choice to pursue it or not.
I used to have to think about all these questions; now it is second nature. I can decide if I am interested in a used fixture in seconds, How? I listen to my eyes and I trust that my brain knows the answer. It does.

Listen to Your Eyes. PB

www.VintageLights.com

A MUST READ

Insightful, witty, amazing images, well written, factual, inspiring, (feel free to add your own):

http://blog.vandm.com/2010/05/listen-to-your-eyes-patrick-brady-at.html

Looking Outside the Square Tube Box

Once again, in a conversation with a customer, I was reminded of the curious path I have taken to get here. This customer had a concern that a certain fixture did not fit their perception of an "Arts & Crafts" fixture.

When I first became aware that I was living in a "Craftsman" home and that a sideboard I saved from my grandfather's basement 10 years prior was in the "Mission" style, I began to really appreciate this unique American style. But along with that I had somewhere picked up the misconception that Arts & Crafts light fixtures were square, fit into a certain style box, and were pretty much utilitarian in nature. Boy was I wrong. The Arts & Crafts movement was all about just the opposite.

But I understood where this customer's perception came from, as I had been there. Frequently the 3 terms used to describe this style are Craftsman, Mission, and Arts & Crafts. And sometimes they can be used interchangeably. Each has a different flavor of the time and I think a lot of folks, like me, initially do not understand the difference. These easily recognizable "Mission" fixtures are just a small part of the richness of the Arts & Crafts era.

Yes, the square fixtures are from the Arts & Crafts period, yes, the square fixtures look terrific in a Craftsman home and yes, these fixtures are also of the Mission style.

I think I was so enamored by the furniture of the Stickley era that I associated everything Arts & Crafts to that particular style.

I am glad I looked around that era and expanded my view to outside of the square tube.

Open your eyes and listen. PB

www.vintagelights.com

The Real Story out of the Box

Reading through one of our favorite magazines yesterday, Cottages & Bungalows, I noticed a story box with suggestions about where to go for additional information on bungalow styles. There were 4 books recommended, suggesting they can be found at Amazon. Should it be no surprise that VintageLights.com has 2 of the 4 in their vast and ever growing collection of vintage books and catalogues? And that their entire collection of vintage catalogues are free? It would set you back over $50 if you purchased these 4 paperbacks at the big A. Paperbacks!

The vintage catalogue selection at Vintagelights.com not only has the Internets largest free resource of vintage lighting catalogues but also Sears Kit Homes, interior decorating, Bungalow and home plans, plumbing, lawn and garden books and promotional pamphlets. All original, all in their entirety, all from about 1900 through 1939, and all FREE. Some of these catalogues are not reproduced anywhere else, making this resource unique, helpful, and important.

We are glad to help.

Above image from the book Architectural Woodwork by The Curtis Companies, 1920.

Listen to Your Eyes. PB

peer to peer pressure

So I am succumbing to peer to peer pressure for an image of the master behind the magic here at VintageLights.com and today you get a bonus image, one of me hard at work at our re-wire bench. What you cannot hear is Jimmy Buffett streaming on RadioMargararitaville.com or Texas hill country music on TexasRebelRadio.com (think Lyle Lovett for the latter). 77 degrees out. I am in our summer uniform which is worn almost 8 months out of the year: short sleeve black v-neck tee, Eddie Bauer EBTek shorts, and of course, flip flops.

I have found me a home.

The fascinating light bulb!

Is there anything more mundane in today's household than the lowly light bulb? But can you imagine the time, not so long ago, when the light bulb was the technological wonder of its day?

The light bulb itself was so intriguing, so fascinating, that manufacturers did not put shades on these early fixtures. People wanted to see this new wonderful device.

You often see matching dining room and living room vintage light fixtures with identical designs except that on the living room fixture the bulbs are pointed up and on the dining room fixture the bulbs are pointed down. This addressed two issues: with the bulbs pointed up there is more head room under the fixture, and where the bulbs are pointed down, more light is concentrated directly under the fixture.

These early days of vintage lighting the bulbs also were of smaller wattage than today's light bulb, and much more expensive. 40 watts was a lot of light back then. During the teens and 20s it became the fashion to shield the eye from the glare of the bulb, as the wattage increased. Then something happened in 1929 to reverse this trend and once again bare bulb fixtures returned to prominence. The Great Depression forced manufacturers to cut costs and although the shade represented a very small percentage of the fixtures' overall cost, any avenue to shave a few cents was taken.

The above images, from a 1931 catalog, shows a series of fixtures by Virden of Milwaukee, commonly called "dogshead" due to the stylized animal head motif. Examples of all these antique light fixtures are seen on our website.

Listen to Your Eyes. PB

http://vintagelights.com

Design Drought

I often mention the design, style, and proportions of vintage fixtures, properties most contemporary fixtures seem to have a lack of. Whether it is from lack of classical design study or just the blinders-on rush for the dollar (or yuan), most of today's lighting fixtures wither and pale in comparison to pre 1940 vintage fixtures.

Take the above image for example. How many classic design elements do you see? The knight, coat of arms, dragons, fleur de lis, ivy, lance and flag, and the bent cross or fleur de lis finial. But what is it about this fixture that grabs your eyes and keeps them moving about the fixture, savoring its sinuous curves the way a jawbreaker rolls around your mouth? Strict adherence to classical design elementation. In the image on the right, note how each line intersects the tips of key elements 4 to 7 times. This is VERY deliberate. Each curve, each leaf, each element is placed in such a way your eye just rolls around the fixture, seemingly at random. Similar to the way your eyes move around when looking at nature. There is a comfort in such a fixture because its design elements mimic the design elements in nature. Unseen yet felt.

Listen to Your Eyes. PB

http://VintageLights.com

Simple yet very Elegant

During the teens and 1920s there was a very popular home decorating style referred to as the "sanitized" look. Also an exciting time in medicine when great strides were made in successful vaccines including diphtheria, tetanus, TB and whooping cough (History lesson). Not to mention the decade Band-Aids were invented.

The "sanitized" look was born from the emphasis on cleanliness and disease control. As a result, one of the most popular looks of that era was white on white. White glass shades on white porcelain fitter. White subway tile was also the standard of the day. To this day, this color & style is still one of the most popular in vintage lighting.

As things progressed, some color was added to the porcelain fixtures and tile. Black, green, light yellow, pink and lilac were taking the place of the sterilized white look. This produced fixtures which were very simple yet they also were very elegant. The above images shows a custard glass shade with black stripes on a seafoam green fitter. Great vintage bathroom or kitchen light fixture.

Listen to Your Eyes. PB

http://vintagelights.com/

Listen To Your Eyes with a Hearing Aid!

This past Monday my partner Linda had surgery on one of her eyes. She had always worn glasses and contacts since they discovered she couldn't read or see very well when she was quite young. Her vision was 20/400.

In less than an hour the surgen implated in her right eye a small contact-like disc, called a multifocal lens.

22 hours later, for the first time in her LIFE, she was able to see clearly without glasses or external contacts. Her vision in that eye was tested to be 20/20.

Talk about another miracle of modern science.

She will get the same treatment in her left eye in 2 weeks.

Just amazing!

Where were you when......

Yesterday I was discussing blogs with another blog author, Chris of http://thephoenixagents.com. He thought this was a pretty good blog (Thanks again Chris) and he was a bit concerned that I would soon run out of ideas, blogging every other day or so. Does Jimmy Buffett run out of songs? We both (JB & I) do what we love, follow the inspiration where it takes us and believe that what we do makes a difference.

I have been a huge Jimmy Buffett fan since 1973 when I first heard "Pencil Thin Mustache" riding around Randle in my friend Bob Lee's brown Chevy Vega GT. That is me in the above image, 1975, on our way to Sun Valley for the winter. Where were you when you heard your first Buffett song?

Anyway, I find the field of vintage lighting so intersting and vast that I doubt that I will ever run out of things to say.

Listen To Your Eyes. PB

http://vintagelights.com/

Shadow Beauty

As I was listening to the graduating students at yesterday's Prescott College Baccalaureate, one of the graduates read from the writing of a juvenile in detention. Her project was to introduce the wonders and beauty of nature to a group of troubled youths (juvenile delinquents) through direct interaction and had them express that experience through writing. Pretty great I thought.

One youth wrote that it he was amazed at the beauty the shadows held. It was not surprising that that was where he was looking, the shadows. What was a bit surprising though was what he saw there, the beauty.

There are times in all our lives when we walk out into the sunlight and it is just way too bright and we have to wait until our eyes adjust to the light. What a great opportunity that time is, to focus on the beauty in the shadows.

Listen To your Eyes. PB

http://vintagelights.com/